Sunday, April 12, 2026

Book Review: A Plethora of Phantoms (Spirited Encounters Book 2) by Penny Hampson




A Plethora of Phantoms 
(Spirited Encounters Book 2)
By Penny Hampson


Whose footsteps in the dark?

He is heir to the earldom of Batheaston and lives in an elegant, stately home, but handsome twenty-something Freddie Lanyon is not a happy man. Not only is he gay and dreading coming out to his family, but he’s also troubled by ghosts that nobody else can see.

When Freddie’s impulsive purchase of an antique dressing case triggers even more ghostly happenings with potentially catastrophic consequences, he has to take action.

Freddie contacts charismatic psychic Marcus Spender for help and feels an immediate attraction to this handsome antique dealer –– a feeling that is mutual. But the pair’s investigations unearth shocking, long-buried secrets, which prove a major challenge to their task of laying unhappy spirits to rest and to their blossoming relationship.

Being brave isn’t one of Freddie’s standout qualities, but he’ll need all the courage he can muster to rid himself of wayward phantoms and get his life on track.

A Plethora of Phantoms is an uplifting ghostly tale about love, friendship, and acceptance.
 

⭐⭐⭐⭐⭐ Oh look, a nice quiet country-house story (in which the family estate comes with entirely too much history attached, unsettling visions, and a deeply inconvenient attraction to a man who keeps turning up precisely when things become alarming).

A Plethora of Phantoms is a warm, witty, and quietly haunting tale of identity, inheritance, and the rather persistent problem of the past refusing to stay where it belongs.

I went into this expecting something pleasantly familiar. You know the sort: old estate, slightly eccentric family, perhaps a few odd noises in the night that can eventually be explained away with a combination of draughts and imagination.

Instead, the book takes that expectation, gives it a polite nod, and then immediately introduces footsteps that absolutely should not be there.

Freddie Lanyon has returned to his family home to take on his responsibilities, which is already quite enough to be getting on with without the additional complication of things moving about when no one is looking and an increasing suspicion that he may not be alone in his own house.

This becomes rather more difficult to ignore when the disturbances begin to feel… personal.

Enter Marcus Spender, an antiques dealer with an interest in a particular dressing case and, somewhat inconveniently, in Freddie himself. As first meetings go, this one involves a great deal of mutual attraction, a healthy amount of suspicion, and the creeping sense that something is unfolding around them that neither of them entirely understands.

Which, as foundations for a relationship go, is perhaps not ideal.

Marcus, to his credit, approaches the situation with a mixture of curiosity, patience, and a willingness to stay involved even when events take a distinctly unnerving turn. Freddie, on the other hand, is attempting to manage an estate, a family, a haunting, and his own long-standing habit of not saying what he actually feels.

This proves challenging.

Most of the story follows Freddie as he tries to untangle a series of increasingly complicated problems: the identity of the ghost, the history attached to the house, and the small matter of his own deeply buried truths. Unfortunately for him, these issues are not separate.

They are, in fact, very much the same problem.

The more Freddie learns about the past, the clearer it becomes that this is not simply a matter of an inconvenient spirit. It is a matter of old secrets, unresolved grief, and a love story that ended badly and has been waiting, rather stubbornly, to be acknowledged.

Quite a long time, in fact.

Freddie spends much of the book attempting to make sense of things, which would be easier if the answers did not have a tendency to produce further questions. Usually at inconvenient moments. Often late at night.

Meanwhile, Marcus finds himself increasingly entangled in both the mystery and Freddie’s life, dealing with ghosts (literal), emotional repression (considerable), and the growing realisation that he is falling for someone who is, in several respects, more complicated than he initially appeared.

Again, not ideal.

Their relationship develops with a lovely mix of awkwardness, tenderness, and urgency. This is not a leisurely “we shall consider our feelings at a sensible pace” sort of romance. This is very much a “there is a ghost in the house, everything is escalating, and we may as well be honest about at least one thing” situation.

Which, under the circumstances, feels entirely reasonable.

The family dynamics are also a delight. The Lanyons are chaotic, affectionate, occasionally exasperating, and far more perceptive than Freddie gives them credit for. There is a great deal of warmth here, which balances the darker elements of the story beautifully.

And the haunting itself is handled particularly well. It is not simply there to be frightening (though it can be); it is there to be understood. The mystery unfolds gradually, revealing layers of history, emotion, and injustice that give the supernatural elements real weight.

Every revelation matters.

What I enjoyed most is how the story steadily expands. It begins with a house and a few strange occurrences, then becomes something deeper, stranger, and far more emotionally resonant. By the time everything comes together, the resolution feels earned rather than imposed.

And rather moving.

Inheritance, hidden histories, family secrets, a romance that refuses to wait for convenient timing, and a haunting that is as much about love as it is about fear.

What can I say? This one starts with footsteps in the night and ends with something altogether more meaningful.

I had a thoroughly lovely time with it.


You can grab your copy of this book over on AmazonThis book is available with #KindleUnlimited.


Penny Hampson


Penny Hampson writes mysteries, and because she has a passion for history, you’ll find her stories also reflect that. A Gentleman’s Promise, a traditional Regency romance, was Penny’s debut novel and the first of her Gentlemen Series. There are now four novels in the series, with the latest, An Adventurer’s Contract, released in November 2024. Penny also enjoys writing contemporary mysteries with a hint of the paranormal, because where do ghosts come from but the past? The Unquiet Spirit, a spooky mystery/romance set in Cornwall, is the first in the Spirited Encounters Series. Look out for A Plethora of Phantoms coming soon.

Penny lives with her family in Oxfordshire, and when she is not writing, she enjoys reading, walking, swimming, and the odd gin and tonic (not all at the same time).

If you’ve enjoyed any of Penny’s books please leave a review on Amazon, Bookbub, or Goodreads, and let other readers know!

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Monday, April 6, 2026

Book Review: All the King's Bastards: A Succession of Chaos by G. Lawrence

 


All the King's Bastards: A Succession of Chaos
 By G. Lawrence


What if one event could change the course of English history?

January 1536
England

The King is dead... but who will live long now?

A fateful accident upon the jousting field leaves Henry VIII dead, crushed to death under the weight of his horse. His country, already divided over faith and power, trembles on the brink of chaos as Anne Boleyn rises to become Regent, ruling for her children, for her daughter Elizabeth and for the child as yet unborn in her womb.

Yet the children of Anne Boleyn are not the only ones who may stake a claim to the succession. Heirs will rise, supported by families of power and wealth, all vying to place their heir upon the English throne.

As conflict and rebellion unfold, alliances will be made and broken. At court and in the streets of England this war will rage, deciding who has the right to rule England, and who has the will to see this fight through, to the end.

All the King's Bastards is book one of A Succession of Chaos by G. Lawrence.
This is a work of speculative historical fiction.




⭐⭐⭐⭐⭐ Oh look, a neat little alternate Tudor history (in which the king inconveniently dies mid-joust, the most controversial woman in England takes power, and absolutely everyone has opinions about it—many of them armed).

All the King’s Bastards is a sharp, compelling tale of power and perception, of legitimacy and survival, and of what happens when Anne Boleyn is no longer a scandal… but the one holding the kingdom together.

I went in expecting a familiar “what if” scenario. You know the sort: one historical divergence, a slightly reshuffled court, a few changed outcomes, and a gentle exploration of how things might have been.

Instead, the book takes the Henry VIII jousting accident, removes him from the board entirely, and then lets the consequences spiral in all directions at once.

Because it turns out that England without Henry is not calmer. It is not simpler.

It is, in fact, significantly more dangerous.

With Henry gone, Anne Boleyn steps into power as regent—and the shift is immediate. This is not the Anne defined by rumor, factional whispers, or hindsight. This is Anne as a political force, navigating a court that is deeply divided and not at all convinced she should be in charge.

As first days in office go, it’s less “ceremonial transition” and more “quietly assessing who might try to overthrow you before the week is out.”

Quite a long list, as it happens.

Because legitimacy is suddenly a very fragile thing. The question of succession—already complicated in Tudor England—becomes even more precarious when filtered through Anne’s position, her daughter, and the ever-watchful court.

Everyone has a stake. Everyone has a plan.

And very few of those plans align.

Most of the story follows the delicate (and often not-so-delicate) balancing act Anne must perform: maintaining authority, securing her daughter’s future, and managing a nobility that is, at best, uncertain and, at worst, actively hostile.

Every decision feels like it could tip the kingdom one way or another.

Often both at once.

What makes this particularly engaging is how the book leans into the tension between perception and reality. Anne is constantly being judged—not just for what she does, but for what people believe she represents.

And those beliefs are not easily changed.

Meanwhile, the court itself feels alive with intrigue. Alliances shift, loyalties bend, and every conversation carries an undercurrent of risk. There is a strong sense that history is being rewritten in real time, and that no one—not even Anne—is entirely certain how it will end.

Which keeps things delightfully tense.

There is also a personal edge to the story that grounds all the politics. Power here is not abstract; it is tied to identity, to motherhood, to survival. Anne’s position is not just precarious because of the crown—it is precarious because of everything she is in the eyes of those around her.

And that makes every victory feel hard-won.

What I enjoyed most is how the premise refuses to stay simple. It begins with a single divergence—Henry’s death—but quickly expands into a layered exploration of power, gender, legitimacy, and control.

Every choice matters. Every outcome has weight.

And just when it seems like the situation might stabilise, something shifts—reminding you that this version of England is still finding its footing.

Alternate history, court intrigue, dangerous politics, and a woman rewriting her place in a story that was never meant to let her win.

What can I say? This one starts with a fall from a horse and very quickly becomes a fight for a crown.

I had a great time with it.


You can grab your copy over on Amazon, and get this, it is free to read with #KindleUnlimited subscription.


G. Lawrence


I am an independently published author, and proud to be so. Living in a little cottage in Wales in the UK, I love where I live as much as I love to write.

The age of the Tudors has been an obsession for me since I was a child, and many of my upcoming books will centre on that time, but I also pen the odd dystopian fiction or historical fiction from other time periods. I will be releasing all my titles on amazon, for kindle, paper and hard back, and soon to come, audio books!

I studied Literature (with a capital L) at University and usually have twenty or more books I'm currently reading. Reading and writing are about mood for me, and I haven't found a genre I didn't enjoy something about so far...

I can often be found on social media, sharing my books and any interesting historical site I have managed to find that week, so come find me if that’s what you like to see!

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Book Review: A Plethora of Phantoms (Spirited Encounters Book 2) by Penny Hampson

A Plethora of Phantoms  (Spirited Encounters Book 2) By Penny Hampson Whose footsteps in the dark? He is heir to the earldom of Batheaston a...