By John Anthony Miller
Thursday, April 30, 2026
Another Soul Saved by John Anthony Miller
By John Anthony Miller
Sunday, April 26, 2026
Book Review: Infidel: The Daughters of Aragon (Six Tudor Queens) by Nicola Harris
(Six Tudor Queens)
By Nicola Harris
Sunday, April 12, 2026
Book Review: A Plethora of Phantoms (Spirited Encounters Book 2) by Penny Hampson
(Spirited Encounters Book 2)
By Penny Hampson
⭐⭐⭐⭐⭐ Oh look, a nice quiet country-house story (in which the family estate comes with entirely too much history attached, unsettling visions, and a deeply inconvenient attraction to a man who keeps turning up precisely when things become alarming).
A Plethora of Phantoms is a warm, witty, and quietly haunting tale of identity, inheritance, and the rather persistent problem of the past refusing to stay where it belongs.
I went into this expecting something pleasantly familiar. You know the sort: old estate, slightly eccentric family, perhaps a few odd noises in the night that can eventually be explained away with a combination of draughts and imagination.
Instead, the book takes that expectation, gives it a polite nod, and then immediately introduces footsteps that absolutely should not be there.
Freddie Lanyon has returned to his family home to take on his responsibilities, which is already quite enough to be getting on with without the additional complication of things moving about when no one is looking and an increasing suspicion that he may not be alone in his own house.
This becomes rather more difficult to ignore when the disturbances begin to feel… personal.
Enter Marcus Spender, an antiques dealer with an interest in a particular dressing case and, somewhat inconveniently, in Freddie himself. As first meetings go, this one involves a great deal of mutual attraction, a healthy amount of suspicion, and the creeping sense that something is unfolding around them that neither of them entirely understands.
Which, as foundations for a relationship go, is perhaps not ideal.
Marcus, to his credit, approaches the situation with a mixture of curiosity, patience, and a willingness to stay involved even when events take a distinctly unnerving turn. Freddie, on the other hand, is attempting to manage an estate, a family, a haunting, and his own long-standing habit of not saying what he actually feels.
This proves challenging.
Most of the story follows Freddie as he tries to untangle a series of increasingly complicated problems: the identity of the ghost, the history attached to the house, and the small matter of his own deeply buried truths. Unfortunately for him, these issues are not separate.
They are, in fact, very much the same problem.
The more Freddie learns about the past, the clearer it becomes that this is not simply a matter of an inconvenient spirit. It is a matter of old secrets, unresolved grief, and a love story that ended badly and has been waiting, rather stubbornly, to be acknowledged.
Quite a long time, in fact.
Freddie spends much of the book attempting to make sense of things, which would be easier if the answers did not have a tendency to produce further questions. Usually at inconvenient moments. Often late at night.
Meanwhile, Marcus finds himself increasingly entangled in both the mystery and Freddie’s life, dealing with ghosts (literal), emotional repression (considerable), and the growing realisation that he is falling for someone who is, in several respects, more complicated than he initially appeared.
Again, not ideal.
Their relationship develops with a lovely mix of awkwardness, tenderness, and urgency. This is not a leisurely “we shall consider our feelings at a sensible pace” sort of romance. This is very much a “there is a ghost in the house, everything is escalating, and we may as well be honest about at least one thing” situation.
Which, under the circumstances, feels entirely reasonable.
The family dynamics are also a delight. The Lanyons are chaotic, affectionate, occasionally exasperating, and far more perceptive than Freddie gives them credit for. There is a great deal of warmth here, which balances the darker elements of the story beautifully.
And the haunting itself is handled particularly well. It is not simply there to be frightening (though it can be); it is there to be understood. The mystery unfolds gradually, revealing layers of history, emotion, and injustice that give the supernatural elements real weight.
Every revelation matters.
What I enjoyed most is how the story steadily expands. It begins with a house and a few strange occurrences, then becomes something deeper, stranger, and far more emotionally resonant. By the time everything comes together, the resolution feels earned rather than imposed.
And rather moving.
Inheritance, hidden histories, family secrets, a romance that refuses to wait for convenient timing, and a haunting that is as much about love as it is about fear.
What can I say? This one starts with footsteps in the night and ends with something altogether more meaningful.
I had a thoroughly lovely time with it.
You can grab your copy of this book over on Amazon. This book is available with #KindleUnlimited.
Penny Hampson
Penny Hampson writes mysteries, and because she has a passion for history, you’ll find her stories also reflect that. A Gentleman’s Promise, a traditional Regency romance, was Penny’s debut novel and the first of her Gentlemen Series. There are now four novels in the series, with the latest, An Adventurer’s Contract, released in November 2024. Penny also enjoys writing contemporary mysteries with a hint of the paranormal, because where do ghosts come from but the past? The Unquiet Spirit, a spooky mystery/romance set in Cornwall, is the first in the Spirited Encounters Series. Look out for A Plethora of Phantoms coming soon.
Penny lives with her family in Oxfordshire, and when she is not writing, she enjoys reading, walking, swimming, and the odd gin and tonic (not all at the same time).
If you’ve enjoyed any of Penny’s books please leave a review on Amazon, Bookbub, or Goodreads, and let other readers know!
Monday, April 6, 2026
Book Review: All the King's Bastards: A Succession of Chaos by G. Lawrence
All the King's Bastards: A Succession of Chaos
By G. Lawrence
What if one event could change the course of English history?
January 1536
England
The King is dead... but who will live long now?
A fateful accident upon the jousting field leaves Henry VIII dead, crushed to death under the weight of his horse. His country, already divided over faith and power, trembles on the brink of chaos as Anne Boleyn rises to become Regent, ruling for her children, for her daughter Elizabeth and for the child as yet unborn in her womb.
Yet the children of Anne Boleyn are not the only ones who may stake a claim to the succession. Heirs will rise, supported by families of power and wealth, all vying to place their heir upon the English throne.
As conflict and rebellion unfold, alliances will be made and broken. At court and in the streets of England this war will rage, deciding who has the right to rule England, and who has the will to see this fight through, to the end.
All the King's Bastards is book one of A Succession of Chaos by G. Lawrence.
This is a work of speculative historical fiction.
⭐⭐⭐⭐⭐ Oh look, a neat little alternate Tudor history (in which the king inconveniently dies mid-joust, the most controversial woman in England takes power, and absolutely everyone has opinions about it—many of them armed).
All the King’s Bastards is a sharp, compelling tale of power and perception, of legitimacy and survival, and of what happens when Anne Boleyn is no longer a scandal… but the one holding the kingdom together.
I went in expecting a familiar “what if” scenario. You know the sort: one historical divergence, a slightly reshuffled court, a few changed outcomes, and a gentle exploration of how things might have been.
Instead, the book takes the Henry VIII jousting accident, removes him from the board entirely, and then lets the consequences spiral in all directions at once.
Because it turns out that England without Henry is not calmer. It is not simpler.
It is, in fact, significantly more dangerous.
With Henry gone, Anne Boleyn steps into power as regent—and the shift is immediate. This is not the Anne defined by rumor, factional whispers, or hindsight. This is Anne as a political force, navigating a court that is deeply divided and not at all convinced she should be in charge.
As first days in office go, it’s less “ceremonial transition” and more “quietly assessing who might try to overthrow you before the week is out.”
Quite a long list, as it happens.
Because legitimacy is suddenly a very fragile thing. The question of succession—already complicated in Tudor England—becomes even more precarious when filtered through Anne’s position, her daughter, and the ever-watchful court.
Everyone has a stake. Everyone has a plan.
And very few of those plans align.
Most of the story follows the delicate (and often not-so-delicate) balancing act Anne must perform: maintaining authority, securing her daughter’s future, and managing a nobility that is, at best, uncertain and, at worst, actively hostile.
Every decision feels like it could tip the kingdom one way or another.
Often both at once.
What makes this particularly engaging is how the book leans into the tension between perception and reality. Anne is constantly being judged—not just for what she does, but for what people believe she represents.
And those beliefs are not easily changed.
Meanwhile, the court itself feels alive with intrigue. Alliances shift, loyalties bend, and every conversation carries an undercurrent of risk. There is a strong sense that history is being rewritten in real time, and that no one—not even Anne—is entirely certain how it will end.
Which keeps things delightfully tense.
There is also a personal edge to the story that grounds all the politics. Power here is not abstract; it is tied to identity, to motherhood, to survival. Anne’s position is not just precarious because of the crown—it is precarious because of everything she is in the eyes of those around her.
And that makes every victory feel hard-won.
What I enjoyed most is how the premise refuses to stay simple. It begins with a single divergence—Henry’s death—but quickly expands into a layered exploration of power, gender, legitimacy, and control.
Every choice matters. Every outcome has weight.
And just when it seems like the situation might stabilise, something shifts—reminding you that this version of England is still finding its footing.
Alternate history, court intrigue, dangerous politics, and a woman rewriting her place in a story that was never meant to let her win.
What can I say? This one starts with a fall from a horse and very quickly becomes a fight for a crown.
I had a great time with it.
You can grab your copy over on Amazon, and get this, it is free to read with #KindleUnlimited subscription.
Sunday, March 29, 2026
Book Review: The Scald Crow (Beyond the Faerie Rath Book 1) By Hanna Park
(Beyond the Faerie Rath Book 1)
By Hanna Park
⭐⭐⭐⭐⭐ Oh look, a nice quiet inheritance story (in which the inherited property comes with unsettling visions, fae politics, and a deeply inconvenient attraction to a man whose life you may or may not be about to complicate beyond repair).
The Scald Crow is a dark, sensual tale of identity and inheritance, of old magic stirring beneath modern life, and of one woman discovering that her past is rather more complicated than she had been led to believe.
I went into The Scald Crow expecting a fairly standard set-up. You know the sort: mysterious inheritance, trip to Ireland, a slightly crumbling property, perhaps a few secrets tucked away in dusty drawers.
Instead, the book takes one look at that expectation and immediately hands Calla a vision she very much did not ask for.
Calla Sweet arrives in Ireland to settle the estate of a man she barely knew, which would already be awkward enough without the small detail that she can apparently sense things she really ought not to be able to.
This becomes particularly noticeable when she meets Colm O’Donnell and very quickly realises that something is not quite right.
As first impressions go, it’s not ideal.
Colm, understandably, is not especially thrilled to discover that the woman he has just met may have some kind of unsettling insight into his family’s circumstances. On the other hand, he is also very much attracted to her, which complicates matters, as these things tend to do.
Because nothing says “promising romance” quite like mystery, tension, and the creeping suspicion that fate may have taken a rather personal interest in your life.
Most of the story follows Calla as she attempts to untangle her inheritance, her increasingly vivid visions, and her growing connection to Colm. Unfortunately for her, the more she learns, the clearer it becomes that this is not simply a matter of paperwork and property.
It is, in fact, a matter of old magic, hidden truths, and a number of people who know far more than they are willing to say.
Quite a number of people.
Calla spends much of the book trying to answer a series of increasingly complicated questions about who she is, where she belongs, and why everything seems to be happening now. And every time she gets close to an answer, something shifts.
Usually in a way that raises at least two further questions.
Meanwhile, Colm is dealing with his own set of difficulties, including family tensions, past losses, and the growing realisation that the woman he is falling for is not, strictly speaking, ordinary.
To his credit, he handles this with a mixture of concern, determination, and a willingness to carry on regardless, which is either very romantic or a triumph of questionable judgement depending on your perspective.
Possibly both.
Their relationship develops with considerable intensity. This is not a slow-burn “we shall talk about our feelings over several months” situation. This is very much a “we have met, something strange is happening, and we are going to lean into it immediately” arrangement.
Which works rather well, largely because neither of them is entirely in control of what is happening.
There is also a strong sense throughout the book that Ireland itself is watching. The folklore is not decorative; it is active, present, and occasionally unsettling. The world Calla has stepped into is one where old stories are not stories at all, but something much closer to reality.
And Calla is very much in the middle of it.
What I enjoyed most about the book is how the mystery continues to expand. It begins with a simple inheritance, then becomes something deeper, stranger, and rather more dangerous.
Every answer comes with consequences.
And just when it feels as though things might settle into something resembling clarity, the story shifts again, reminding you that this is only the beginning of something much larger.
Inheritance, folklore, hidden identities, intense attraction, and a heroine discovering she is far more entangled in everything than she ever expected.
What can I say? This one starts with a house and very quickly becomes something else entirely.
I had a great time with it.
You can grab your copy of this book over on Amazon.
Hanna Park
`I began my writing career in the pre-dawn of a winter morning while my husband snored like a train. We could call my husband the catalyst. If it weren’t for him, I would never have gone to the kitchen to make a pot of coffee, feed the cat, and sit on the loveseat in front of the fire. It was there, in those moments of wondrous quiet, that I did something I had never thought possible. I opened my laptop, and while the coffee went cold, I wrote a story. My husband had no idea that these sojourns to the loveseat in front of the fire would become a daily occurrence, that writing would become an obsession, but the cat knew. She knows everything.
I write stories that make you laugh, make you cry, and make you love. Thank you, friends, for reading!
In the beginning, there was an empty page.
I am a writer who lives in Muskoka, Canada, with a husband who snores, a hungry cat, and an almost perfect canine––he’s an adorable little shit.
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